|
Bridget Fonda Biography:
Bridget Jane Fonda was born January 27, 1964 in Los Angeles, California,
the eldest daughter of Peter Fonda and Susan Brewer. Named after Bridget
Hayward, a step-aunt who committed suicide, Bridget merged from a family
tree of Hollywood stars.
Her grandfather Henry and her father Peter both enjoyed celebrity status
while her aunt Jane, in addition to a prolific acting career, would almost
single-handedly bring about the 1980's home fitness craze with her series
of exercise videotapes. Given this familial environment, it was natural
that Bridget would be introduced to acting at a young age. Her first on-set
experience came at the age of five, when she accompanied her father throughout
the filming of Easy Rider, the film that would make him a 1970's icon.
Bridget's parents divorced in 1972, and she and her brother Justin settled
in Coldwater Canyon, a suburb of Los Angeles, to be raised by their mother.
In spite of her ancestry, it wasn't until Bridget was in her high-school
years at nearby Westlake School for Girls that an interest in acting developed,
as she was cast in a school production of the comedy Harvey
Her career aspirations now awakened, Bridget moved to New York City at
the age of 18 to attend NYU's Tisch School of the Arts, where she studied
theater. Learning to act professionally initially proved difficult for
Bridget, as the expectations of her instructors and peers alike were raised
by her family name. Having acknowledged that the bar was raised for her,
Bridget's sense of increased pressure translated into chronic stage fright
that would follow her throughout her time at NYU.
By the time of her graduation, however, Bridget demonstrated her innate
acting talents to her peers and, perhaps more importantly, to herself.
Any doubts as to her renewed sense of confidence were quickly erased by
her first job, as her character appeared nude and engaged in sex in a
segment of the 1987 collaborative art-house film Aria. This role was accompanied
by a number of stage performances throughout New York City, and her first
speaking part in a film, in 1988's You Can't Hurry Love.
While these first few performances went largely unnoticed -- as they were
situated within projects that were either obscure or poorly received --
1989 proved to be a breakout year for Bridget. Appearances in three films,
Strapless, Shag and Scandal, launched Bridget into the public eye, and
her performance in the latter, a film inspired by real-life sex scandals
in the British Parliament, was critically applauded, earning her a Golden
Globe nomination.
More roles followed suit, beginning with a portrayal of Frankenstein author
Mary Godwin Shelley in 1990's Frankenstein Unbound (wherein INXS lead
singer Michael Hutchence received the unlikely casting call to take on
the part of poet P.B. Shelley). In the same year, Bridget appeared in
The Godfather III, playing a reporter desperate to interview Michael Corleone.
Her first major supporting role arrived in 1991, alongside Michael J.
Fox, in Doc Hollywood.
By 1992, Bridget built up an acting resume that boasted a large quantity
of professional appearances, but relatively little in terms of the quality
of the roles or the films that framed them. While there is some debate
as to whether a lead role in 1992's Single White Female is considered
Bridget's first high caliber part, there is little doubt that her performance
in the box-office success was her most expressive to date, one which flung
open a number of doors for her. Later that same year she was cast in Cameron
Crowe's Singles, taking on a role specifically written for her, as the
girlfriend of the struggling musician portrayed by Matt Dillon.
In 1993, Bridget played Ash's girlfriend Linda in the present day cult
classic Army of Darkness, and starred in Point Of No Return, an adaptation
of La Femme Nikita. She also appeared in Bodies, Rest and Motion alongside
her then boyfriend Eric Stoltz.
Throughout the '90s, Bridget remained one of the busiest actresses in
Hollywood, appearing in more than thirty films. While this enormous workload
brought with it a number of questionable career decisions, namely participation
in such projects as 1994's Little Buddha, The Road to Wellville and It
Could Happen To You, it also produced a number of memorable roles.
Past performances won Bridget the approval of such respected directors
as Sam Raimi, Luc Besson and Quentin Tarantino, leading to parts in 1996's
City Hall, 1997's Jackie Brown, 1998's A Simple Plan and the 2001 Jet
Li vehicle Kiss of the Dragon. In 1997, producer David E. Kelley offered
Bridget the lead on his series Ally McBeal, a job she rejected in favor
of pursuing further film work. She met Kelley again in 1999, when she
took on a major role in his satirical thriller, Lake Placid.
In 1998, Bridget's relationship with Eric Stoltz came to an end, and it
wasn't long before she began seeing country-music star and actor Dwight
Yoakam, who she remains involved with to this day (and whose 2000 directorial
debut, South of Heaven, West of Hell, she starred in).
Recent years have witnessed an eclectic mix of appearances from Bridget.
Her performance in Kiss of the Dragon is but one of several film jobs
she has taken on in the new millennium, alongside 2000's Delivering Milo
and The Whole Shebang, and 2001's Monkeybone. She has made cameos on The
Chris Isaak Show and Fox's horror series Night Visions, and was a catalogue
lingerie model for fashion retailer H&M in 2001. In spite of her father
Peter's claim that she is the most talented actor of the Fonda clan, Bridget
has made it clear that she will continue to challenge herself, leaving
us guessing where she'll pop up next.
|
| |
| |
| |
Bridget
Quotes:
"I can be pretty nasty. Not 'mean' nasty, but nasty by your
parents' standards. But not by my parents' standards, because my
parents were nasty for their day."
"I really doubt that there’d be any stories about me
being such a nightmare. I think I’ve been spoiled by having
worked with people who I felt had earned their respect, so I require
it.”
“I don’t tend to court a lot of attention and try not
to air my dirty laundry in public; I’m not an exhibitionist
in that way.”
|
|